Saturday, January 16, 2016

Weekend Music Roundup


It's hard for this week in music to be about anything but the passing of Ziggy Stardust. All week long, social media was flooded with people posting their favorite songs, and the radio was spinning classics that hadn't been in rotation for many years. But not only did David Bowie leave us this week, he also left us with his best album in years. While his death certainly made me remember all the music of his that I've loved through the years, and all the memories that come with it, it also made me think of all the legends that we will be losing in the coming years. Time is the great equalizer I suppose. But I refuse to get caught up in the sadness of it, because the music lives on, and plays on...so that's what I chose to go with. Hopefully there's something on here that will create new memories for us all. Enjoy.

David Bowie - ★: I'd been looking forward to listening to this album this week, especially after really digging the lead single "Lazarus" and after celebrating Bowie's birthday last Friday. And then came the shocking news of his passing this week and the album took on a new meaning. An album that is already obsessed with the afterlife, this is just like Bowie, to record a soundtrack to his death that is artistic and beautiful, and daring. Each moody song is a mixture of art rock, jazz, and electro that comes together in an extraordinary way. A truly wonderful parting gift to the world. 

Legendary Pink Dots - All the King's Men: The neo-psychedelic 2002 companion album to All the King's Horses continues my obsession with the band. This double vinyl was a Christmas present, and it's far mellower than some of their other stuff, though no less fascinating. This is a band that sounds like nobody else, presenting stories that belong to alternate dreamlike worlds. A combination of William Burroughs' tales from Interzone and Syd Barrett's medicated beauty, this another wonderfully transportive record. I'm convinced this band cannot make a bad album.

The Besnard Lakes - A Coliseum Complex Museum: The Montreal psychedelic indie band's first full album in three years is their most complete and compelling to date. Having followed them for years, they've always had flashes of brilliance on each solid album that came before this one, but this one is pretty fantastic from beginning to end. They manage to perfectly combine dream pop with neo-psych in a way that is moody and entertaining. "Tungsten 4: The Refugee," "Necronomicon," "Nightingale" and the "The Bray Road Beast" are standout tracks.  

Twink - Think Pink: The 1970 debut album from one time member of the Pretty Things, Pink Fairies, and Tomorrow is one of the great lost psychedelic albums from the era, often overshadowed by Pink Floyd and Hawkwind, yet no less impressive. This is his only solo album from the era and it's a great blend of experimental and traditional fairy tale inspired psych rock. There are two strands of psych, those that look to space, and those that look to the stories of the past. This falls into the latter and does a great job of it. "10,000 Words in a Cardboard Box," "Tiptoe on the Highest Hill," and "The Sparrow is a Sign" are essential songs.

Closer - An Electric Moment: Released last year, this is the first album that I've heard from the Glasgow band, though they've been making records for well over a decade. This is quintessential late 90's early '00s emo rock. It mixes hardcore, indie, metal into easily digestible tracks, none of which really stuck with me. It reminded me of Brand New but not nearly as compelling. Worth checking out if you're into the genre, otherwise I'd pass on it.

Howlong Wolf - Where Do We Go From Here?: The debut album from the former Admiral James T. front man David Langhard and others was released last April and is another fantastic Buddy Holly inspired project filled with one catchy song after the other. Like few other songwriters, David Langhard is able to capture that Beatles formula, but infuses it with elements of indie and even country. It's the kind of album that is familiar in many ways, sounding like a blend of dozens of bands, all of them good, yet at the same time, sounding completely their own. There's a great cover of Donavon's "Catch the Wind." 

Friday, January 15, 2016

The Wolf Cries Once Again...


For the past year, I've been bogged down in the world of goblins, telling the tale of a tortured young soul in the rewrites of my manuscript. In that time, I've had to put aside my other tale of a tortured young soul. But over the past several weeks, I've had time to return to that tale of a young werewolf and have once again been caught up in the curse of blood-thirsty wolves that terrorize the foothills of some unnamed town. 

Returning to a story, especially one that is more than half done, is never an easy process. It takes quite a bit of time to not only familiarize oneself with the characters and story, but also the narrative style, particularly when it is a story that you are attempting to tell in a way that you've never told a story before. Finally the acclimating process is done and I'm ready to jump back in. The good part is that all of the exposition and plot set up is done, so I get to dig right into the meaty part of the story...the part that is the most fun to write.

Sunday, January 10, 2016

Weekend Music Roundup


The past week has been the week of digesting the wealth of vinyl that came my way on Christmas Day, much of which I've already shared with all of you here. I've also been keeping my Best of 2015 playlist on while driving, which has left little time to discover new sounds for the Roundup. However, there have been a few vinyl records that I'm hearing for the first time, enough to make a proper Roundup for the start of 2016. Sadly, there are no releases yet for the current year to share, though that will change next week as Mr. David Bowie has released a promising sounding disc. In the meantime, here are some albums for you all to digest. Enjoy.


Alberta Cross - Alberta Cross: The Brooklyn based London indie band's third album was one of those that I listened to in a frenzy toward the end of last year with hopes that it would be one that was sorely missing from my Best of List. Having been a big fan of their previous work, this was one of the albums I was eagerly anticipating last Fall. It's slightly more low key than their other albums, taking a more folkish turn. And while this didn't end up making my final list, it's still quite good. "Easy Street," "Isolation," "Water Mountain," "Heavy Words," and "Shadow of Mine" are personal favorites.

Johnny Cash - American Recordings I-VI: Ever since Christmas, my Missus and I have been making our way through the vinyl box set that she received. We had many of the songs digitally for years, but never listened to the entire albums. Having gone through it, I'm prepared to say that this is the single most ambitious project in modern music, and possibly the best anthology of popular music ever recorded. To have one gifted artist interpret the entire scope of popular music, you really get a sense of the wealth of sounds we've been blessed with in our current age. Thank you for that, Man in Black. 

Death & Vanilla - California Owls: This EP, released last year in conjunction with the Swedish neo-psychedelic band's wonderful LP, To Where the Wild Things Are, is a similar dose of dream pop noise with minimal vocals. The four songs create a beautiful, yet softly eerie atmosphere on this moody record. Not quite as unforgettable as the album, but certainly a fantastic companion piece. This was one of the bands that were pretty prominent while writing this year, and if and when my next book is published, they will most likely get a shout out in the credits.

Placebo - MTV Unplugged: Back in the day, the MTV Unplugged program was a real benchmark show, and deserves credit for the rise of acoustic music over the past two decades. It was a place for rock bands to showcase another side of their talent and pay homage to the music that influenced them. Over the past decade, the productions have fallen away, with just a handful in the last several years. The only one done last year was this, a session with one my favorite bands of the late '90s and 00's. Spanning their entire career, this is one of those must-have additions to the band's catalog, with completely transforming versions of most of their best songs. (Oddly missing is "Pure Morning", possibly their biggest hit and the song that launched their career).

The Legendary Pink Dots / Ketvector - The Shock Exchange: This split 12" was released for Record Store Day last year, with Side A featuring three songs by The Legendary Pink Dots. The songs are of their signature brand futuristic, dystopian psychedelic soundscapes. Side B contains four songs from the electro ambient Ketvector. They have a similar feel, if a little less chaotic, but it was the flip side, and my love of all things LPD that brought me to this record. Worth a listen on Bandcamp or online, and worth a purchase if your a fan like me.

Elvis - Pure Gold: This past week, the King had yet another posthumous birthday, and I figured it was as good a time as any to give this recently acquired record a proper spin. Released two years before his death, this compilation covers 12 years of music, from 1960-1972. Despite his appearance and lifestyle choices, the King always sounded great. This is a dynamite collection, with the real standout for me being his version "Fever."

Thursday, January 7, 2016

Four Decades and Counting....


I've never been one to make a big deal out of birthdays, but it's always interesting when you pass into another decade of life. Today I enter my fourth decade on this Earth, and I enter it with more optimism and inspiration than I think I've ever have. Despite the challenges the world faces, and the challenges that we all face as individuals, I feel wiser and stronger than ever before, which gives me a sense that all obstacles can be overcome with a little luck and hard work. Perhaps because of my past recklessness, the fact that I'm still here seems like an accomplishment and makes me believe that there are many more things left for me to accomplish. Time will tell...after all, the passing of time is the only thing that is guaranteed in life.

Saturday, January 2, 2016

Year End Music Roundup - Best of 2015!


The calendars have been flipped, the days have passed away, and another year has drawn to a close. That can only mean that it's also time to present a list of the best albums released in 2015, at least the best in my opinion, and based only on the nearly 200 that I heard. Just as in the last few years, I find that most of my favorites were released from bands or artists that I've followed for some time. Though I've always tried to listen to new artists as much as I can, I find my limited free time has cut down on that. That said, my #3 album on this year's list is a new artist for me as is #13 and #16, so I suppose that's not all that bad. And not reflected on here, this is the year I discovered two new favorite bands; Goblin Hovel and The Legendary Pink Dots. But here's what I have...the order is not definitive, but it's generally accurate, with little difference existing between #5 and #12 or #13 and #20. Please note that Live albums were excluded and had their own list last weekend. Also note that the Marilyn Manson album was mistakenly on my list last year, therefore it appears two years in a row. No reviews this time, but all have been reviewed on the Roundup before, so go back, read through, and check out some great music. Enjoy.
















 





BONUS ALBUM

Friday, January 1, 2016

Fiction Friday (38)


First off, I can't believe it's been so long since my last Fiction Friday. It's inexcusable! But let me provide one for you anyway. It's not that I haven't been reading, because I have. However, since my last book review, there was a book that I started to read and decided not to finish. That is something I'd only done twice before in my life. But given my limited time due to the delight that is my baby daughter, I've decided that time is too valuable to keep on with a book that once given ample pages still fails to interest me. I also had to spend a lot of time this past Fall reading my own manuscript, which I read twice. But a few weeks ago, I finally picked up a new book, one that had been in my pile for years. Like many readers of this book in the last decade, my interest was brought to it by Lost and its connection with that television show. Just another wonderful thing that show did, bringing attention to a fabulous novel that was in danger of disappearing from print.

The Third Policeman by Flann O'Brien
(1967)

At a certain point in one's reading life, there comes a time when there are few novels that are utterly surprising. It's not the fault of the books, but of the wealth of accumulated stories and writing styles that the reader has gathered in his or her brain. So when I do discover such a novel, it excites me. This is one such novel that confounded, confused, and then ultimately won me over.

The book opens with perfectly established intrigue, and throughout the book, there is a remarkable ability to present events, sometimes extremely complicated ones, with carefully crafted simplicity. Admittedly, it takes a good chunk of the book before it veers off into the weird and wonderful aspects that finally won me over. Much of that is due to the need of establishing the BIG twist that only becomes known at the end.

While the BIG plot twist was one of those that completed the book, it wasn't the most fascinating part for me, mainly because it was a twist I've encountered in other novels (Beautiful Losers by Leonard Cohen is another novel that uses it well). It was the smaller elements, these bits that stretched the imagination to great lengths that were mind blowing, those are the moments that will stay in my thoughts for years and years.

The book combined the profound with the humorous in the way that reminded me of Tito Purdue. There was the wildly absurd de Selby annotations that ran throughout, that were so nuanced and detailed, making the comedy so subtle and all that much more hilarious. Then there were the policemen and their theories on the relationship between bicycles and humans that were absolutely delightful. The arguments between the main character and his suddenly appearing conscious named "Joe" is full of a brand of humor that I associate with Raymond Queneau and made me chuckle through out. And then there was the torture of a paradise that was both attainable and forbidden at the same time, which establishes the core theme of the novel, so expertly done that it is only after the last page is closed that it makes one contemplate the scope of its message.

Eye-opening and Entertaining.

Rabbits, Well Said


For the second year in a row, I managed to say rabbits on the first day of the year. Over the past few years, I've come to see this as the ultimate controller of luck. Two of the previous three years were ones where I've said rabbits on the 1st of January, and both brought me luck throughout the year in strange and unpredictable ways. Unlike the the tradition of saying it every first of the month, I only do it on the first of the year, which makes it extremely challenging, and especially potent. I give thanks to all the rabbit gods, those mysterious keepers of time, and wish you all the best of luck in the New Year.   (For More of My Thoughts on the Superstition, check here.)