It's the weekend and that means more ramblings about the on-goings of my musical world. This week I'm looking at a mix of new releases and old discoveries. There's a bunch of genres, from rock to rap to jazz, and lots to love. I've been really go through a bunch of new releases of late and hopefully will have reviews for those in the coming weeks, until then, enjoy these picks.
The Raconteurs - Help Us Stranger:
The third album from the group featuring Jack White and Brendan Benson
is their first in eleven years. I've loved their previous efforts and
was super excited when this finally put into the works. There's
something about the partnership of Jack and Brendan that just mixes
wonderfully. There's a softness to Benson's songwriting that files off
the rougher edges of White's impulses. "Only Child," "Shine the Light on
Me," "Help Me Stranger," "Now That You're Gone," and the unexpected and
brilliant Donovan cover of "Hey Gyp" are my personal favorites.
Jethro Tull - The Broadsword and the Beast:
The legendary band's 14th album, released 14 years after their debut.
When I was younger, the idea of an album released 14 years into a career
seemed silly to me. Now that bands that I listened to when I was in my
20's have been around for decades, 14 years seems pretty much in the
heart of the career of a good band. I've been a Tull fan since my early
20's, but haven't ventured past Heavy Horses before listening to
this recently. This has more of an 80's sound to it, with the inclusion
of keyboards, but still retains the basic elements that make Tull what
they are. "Fallen on Hard Times," "Flying Colours," "Broadsword," and
"Seal Driver" are my personal favorites.
Nacho Picasso - Nachferatu:
The new album from the Seattle rapper isn't exactly a darker album, but
slower tempo which adds an eeriness to it that suits his drawl and
humor, while making it a bit more menacing. Nacho has always been a bit
of Pacific Northwest version of Tricky. He has the same sort of
swagger and attention to the style of the beats working with rhymes to
create something more atmospheric. You can stream this on his Bandcamp
and I recommend it.
The Deviants - The Deviants:
The third album from the London psychedelic garage band was released in
1969. This was their final album before disbanding. Members would go on
to play with bands like Hawkwind and Pink Faires. But
this band is more garage, proto-punk based than space rock. I only got
clued into this band about two years ago when their debut was playing at
my local shop. I recently came across a copy of this one (in a
different local shop) and snatched it up. This is certainly one of those
lost bands that more people should dig around for. Great and groovy
stuff. "Billy the Monster," "Broken Biscuits," "First Line (Seven the
Row)," "Rambling B(l)ack Transit Blues," "Playtime," and "Metamorphosis
Exploration" are all fantastic tracks.
Art Pepper - The Omega Man:
Released in 1974, this is a collection of material recorded in 1958.
This the period right before the jazz icon's life grew increasingly
chaotic. This falls in that pinnacle era of cool jazz that swirled
around the Beats and brought everything into total wildness. But the
players on this are true professionals and keep it tight even as they
explore that side of the scene. A wonderful piece of music and well
worth the $1 I paid for it.
Cats in Space - Day Trip to Narnia:
This is the third album from the London power pop act, and it should
come as no surprise why I took a chance on giving this a listen...I
mean, look at the cover, the band title, and the album title. 'Nuff
said. I had no expectations except to hear a fun album, and that's what
this is, and essentially what all power pop is meant to be.
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