While You Were Dreaming

The other night, I woke up in the dark and discovered the power was out. The near full moon had already set, leaving everything in pitch blackness. As I stumbled down the stairs, reaching for the railing and trying not to miss a step, I started to think. Thinking is always a dangerous thing at 4am.

There's was no obvious reason for the power loss. No wind, no snow, no lightning. And perhaps I've been watching too much apocalyptic television of late, but I started to wonder, Is this it? Is the power out all over the world? Is tonight the night when electricity ceases to exist? 

I sat in bed for about ten minutes considering the possibility and planning what I would do. What fascinated me was the actuality that it might be true, not that I believed it to be, but given the situation, it was a possibility. This relates back to a post I wrote last week and this idea that we wait for the big things to happen. We know history has no shortage of curve balls to throw our way. At certain points, every lifetime is marked by something big. It was interesting to consider being in the midst of such an event.

The power came back on at 7am. Nothing shattering on this night, but you never know what is around the corner.

Weekend Music Roundup

As the holiday weekend comes to a close, it's time to be thankful for some good music. In the spirit of that, this list represents a wide range of interests, from prog to freak folk to hip-hop. These are mostly albums that were culled from my raid of my own wishlist a few weeks back. Most are older, yet there are a few new releases mixed in for those who only care about music made in the present. Either way, there should be something for everyone. Enjoy.

Matching Mole - Little Red Record: After leaving Soft Machine, Robert Wyatt founded Matching Mole in 1971. The next year, they released two records. The first was the self-titled album that I reviewed earlier this year. Little Red Record was the second. Both albums are heavy on prog experimentalism, though the first feels slightly more cohesive than this one. There are moments of brilliance scattered throughout this ambling record, but sadly there are moments where it can grow a bit tiring. The radicalism of its politics makes it unique and definitely worthy of a listen or two. "Righteous Rhumba" is a stand out track here.

The Rain Parade - Emergency Third Rail Power Trip: Released in 1983, this is the LA band's celebrated debut. It's almost impossible to imagine, at least for me, that this album isn't British. It has all the hallmarks of a sound that would go on to be defined by The Smiths and later The Stone Roses and Ride, the jangle guitar, the ethereal voices, and intelligent craftsmanship. This is a fantastic record, one that should probably get more attention than it does. They went on to record two more albums in the 80's, and David Roback went on to form Mazzy Star.

Brunning Hall Sunflower Blues Band  - I Wish You Would: Formed after Peter Green left the original Fleetwood Mac lineup, this British blues band recorded four albums from 1968-1970. This is a compilation of two of them. Like all of Peter Green's work, this follows the standard British blues formula, but as with any blues, it's the emotion the players put into it that really makes or breaks the record. This is all very solid stuff, with a few gems that stand out, such as "Bad Luck." Not essential, but definitely worth checking out for fans of the genre. 

Jordaan Mason - One Day The Horses Will Have Their Revenge: This the 2005 debut from the singer songwriter who I first discovered on Fanfare for Neutral Milk Hotel series. It's no surprise that he'd be on there as his work derives directly from the experimental lo-fi folk rock of Jeff Mangum. He sings in a similar swirling style accompanied by bare acoustic guitar. However, he doesn't ever sound like an imitator. His writing is poetic and voice is full of expression. This album is a borderline masterpiece of the genre, along with his 2009 album Divorce Lawyers I Shaved My Head, that one with backing band The Horse Museum. If you're a fan of lo-fi singer songwriters, Jordaan Mason is a must.

Tame Impala - Lonerism: It's been two years since this Australian band burst onto the indie psychedelic scene with 2010's Innerspeaker, but if this follow-up, released last month, is any indication, the time off was well spent. This album is much more polished than the last. Musically, it soars with layers of sounds that are pulled together by melody of the singer's voice. There is something in their songs that reminds me of The Flaming Lips or Stardeath and White Dwarfs. A very solid rock record.

 

Buffalo Killers - Dig. Sow. Love. Grow: On their fourth album, this Cincinnati revival band continues their quest to bring back the vibe of 70's classic rock. They succeed amazingly well. Any listener unaware that this was an album released in 2012 would assume it was some country rock gem from 1974 that they just couldn't place. Their authenticity has always been the thing that attracted me to this band back in 2006 when their debut was released. This album is very strong, though by its nature, it's not very original. Perfect for fans of classic rock who feel nothing good has been recorded since.

Chadd Downing - PMFL:  These two releases are interesting to compare. The first is a mix tape released by the Trenton rapper and the second is the same album mixed by Slim K. It's not really a mix, but rather a "slowdown" of the album, meaning it's the same exact material in a slower speed. The original album is straight hip-hop with decent beats on most tracks. Chadd Downing has a nice flow and definite skills. On the second, it sounds meaner. Some of the songs work much better in the slow versions, and when it works, the beats really kick. Other tracks, it just sounds like a song being played at the wrong speed. I recommend both, just pick and choose tracks from each. Both are available for free download at datpiff.com.

Thankful

Lately I find that I'm more thankful for the little things. We spend so much time anticipating the big moments that we let the small ones pass us by. We take for granted the comforts that truly make up our lives and are often responsible for creating joy when it happens. I've been trying to appreciate those elements a little more these days. In the process, I've found that I am thankful for more than I ever realized.

Manifest Destiny

At the start of writing every novel, or at least, near the start, once the characters take shape and begin to walk and talk on their own, there are certain scenes that play out inside the imagination. Some of these scenes are not to happen for a hundred or a hundred and fifty pages, yet they continue to haunt the process. 

I think one of the hardest aspects about writing a novel is managing these scenes. Rushing to get to them is so tempting and if one gives in to the temptation, the pace and development of the story suffer. Having finally reached one of these scenes in the manuscript I'm working on, I can tell you that waiting is worth it. The sense of achievement that comes with getting there at the right time can make the entire process successful. Stories need to be natural, never forced.

Weekend Music Roundup

Due to traveling and time constrictions, the Roundup took a short hiatus last weekend. I apologize for those of you who actually care, but not to fear, because it's back in full force this weekend. During the past few days, I've been searching out random albums on my never ending wishlist and was able to check off nearly thirty of them. A couple of them are here on this list, with many more to come on future lists. To finish off the list, there are a couple of recent releases that I'd been looking forward to for some time. Hope you enjoy.

Maple Bee - Home: Also known as Melanie Garside, Maple Bee is the sister of one of my artistic heroes, Katie Jane Garside (of Daisy Chainsaw, Ruby Throat, and Queenadreena). This is the Queenadreena bassist's third solo album, the second under the Maple Bee name. Released in 2008, this remarkable ablum is a blend of dream folk, rock and trip-hop...much like Queenadreena's albums. Her voice is amazing, and similarly childlike like her sister's, if not quite as unique. There's a spooky beauty that invades this album and makes it stand out. "Mirrior," "No Place," "Sweetness in Your Light," and "So Far from Lost" are all standout tracks. 

Cocoon - Where the Oceans End: Released in 2010, this is the second album by the French indie folk duo, following 2007's amazing My Friends All Died in a Plane Crash. This is an album I'd been searching out for quite some time and finally got my hands on it this week. Just like their first album, this is a collection of outstandingly beautiful songs. The power of their music is the upbeat jangle of the music contrasted with the despair found in the lyrics. I just hope a new album is on the horizon sometime.

Chet Baker & Art Pepper - Playboys: This album matches two iconic figures of the cool jazz genre, meeting in their early primes to record this amazing album. Released in 1957, this is third collaboration between the trumpet and saxophone players. From the opening notes of "For Minors Only," I found myself completely engrossed in this album. It swings with such amazing ease and Chet Baker blows a fantastic sound on his trumpet that just pulls you into the world of the music. This has been my morning album for days now and never fails to get me moving in the right direction.

Efterklang - Piramida: With their fifth album, the Berlin band delivers another fine piece of mood music. Like a lot of other bands coming out of Germany these days, Efterklang experiment with space rock effects, transforming their otherwise straightforward indie folk-pop into something that expands into swirling atmospheres. At moments they can be as catchy as The Shins or as opaque as early Pink Floyd. Either way, they are always very listenable and enjoyable.

John Frusciante - PBX Funicular Intaglio Zone: This was perhaps the most eagerly awaited release of the year for me. I've been a huge fan of John Frusciante's work since I purchased his debut way back in 1994. This is his 12th solo album, and among the previous eleven, at least three of them hold places on my Top 100 of all time. This is his first solo effort since 2009, and the first to show the influence of having worked with The Mars Volta. This really is an album that exists on two levels. Each song feels like it has two parts. There's the underlying current which has trademark Frusciante elements and lyrical beauty. Then there's the surface level of each song which is a lot of experimental noise and electronic elements. The two are not very cohesive and are not mixed in a way to seem as if they were meant to be. It's almost as if the electronic music is infiltrating the tracks, disrupting them and taking over. It's jarring on first listen, but quickly grows on me as I see a theme at work within the context of the dueling parts. Would I enjoy it better if the electronic parts were stripped away? Certainly. But I respect the attempt at trying to create something different and in the end, this stands as a unique album, much like many of his other releases.

Black Moth Super Rainbow - Cobra Juicy: For the past decade, this Pittsburgh band has been recording mind-expanding neo psychedelic albums. Released last month, this is their fifth full length album, though many EPs have also emerged since they began. There is a definite California sunshine feel to this record that flows through the craziness. Swirling harmonies march alongside harsh electronic effects, but the two work together rather than against each other. The chaos of their music reminds me of Sic Alps, though set to a much faster pace. Probably not for everyone, but if you're into something a little more 'out there' then definitely worth checking out. 

Out of the Blue, Into the Black

All my stories seem to enter the woods at some point, attracted there by their own force of will. The woods are a place to be lost. A place where past and present mean less than they do on a crowded street and where the future seems to come at a slower pace. Time moves differently among the trees, just like it does between the pages. Perhaps there is a connection between the paper and the branches it used to be.

I've currently written my characters into the woods where fate awaits them with a cruel twist. Part of me feels guilty that I know what is about to befall them and not only do I not warn them, I am leading them straight to into the danger and rubbing my hands greedily together in anticipation. Because that's the thing about the woods...good and evil lurk in equal parts among the trees.

From the Fog, Ideas Exit

Sometimes I do my best thinking when I allow my thoughts to drift aimlessly.  Whether it's going for a walk among the trees or staring out the window during a long drive, my imagination always finds ideas waiting in the distance. 

Writing a novel is like putting together a puzzle where, upon opening the box, you discover not every piece is there. It becomes a search for those missing fragments that will complete the picture. And though a lot of the pieces look as if they go together, you still have make them fit in the correct places. 

Allowing yourself to get lost is sometimes how you find your way.