After a weekend away due to a brief trip the sea shore, the Roundup is back. This week's list includes a few new releases that I'd been looking forward to, some that met expectations and others that were slightly disappointing for me. Most rock on here, old, new, and everything in between. Next week there will be more new releases that I've been making my way through, but in the meantime, find something to listen to and, as always, enjoy.
The Growlers - Casual Acquaintances:
The sixth album from the psychedelic garage band out of L.A. comes out
this September and, like their other work, it's pretty fantastic. I
never noticed before the vocal similarities to Tom Petty, but they are
there, though musically, this isn't Petty, it's a wonderful blend of
garage rock and psychedelic rock, a sub-genre that seems to flourish out
there on the left coast.
nazz - nazz:
The 1968 debut from the Philadelphia pysch garage band is one of those
albums that bridges the sound of '60s and the harder sound that would
follow in the '70s. It holds some resemblance to The Stooges debut, except where the Stooges sound
would lead to punk, this leads to harder rock. This is a band I've been
really getting into lately and happily picked up a near mint copy of
this on vinyl a little while back. Absolutely fantastic stuff, this.
The Jayhawks - Back Roads and Abandoned Motels:
Two years after their glorious return, the legendary Americana indie
band returns with this album, which doesn't stray far from the sound
they've established over the course of 20+ years, yet doesn't reach the
heights of the last album. This album felt a little to 70's soft rock
influenced for my taste, though I admit to enjoying that sound at times.
This was an enjoyable album, just one that didn't leave a lasting
impression.
Melody's Echo Chamber - Bon Voyage:
The second album from the neo-psychedelic art pop artist is one that
has been great buzz on the places I follow, so I took a chance. This is
one of those crazy genre bending kind of albums that throws everything
in the way a lot remix or trip-hop albums would. I definitely enjoy the
many different influences and the way they all come together. It
certainly explains the love it's getting, because there is something
here for everyone. It's less of an album of individual songs, more of a
art piece. Worth checking out.
Ulver - Childhood's End:
This 2012 double album from the diverse and prolific Norwegian band is a
covers album that sees the experimental psych band take on lost psych
songs from the late 60's. It doesn't attempt to completely re-invent
these tracks into something new, but translates them enough to make them
unique. Being quite familiar with the genre, there were still some
unknown tracks for me to discover, and some old favorites to re-enjoy.
Hammer - Hammer:
The one and only album from this San Fran heavy prog band was released
in '71 and I found it the other weekend on vinyl. Being from the Bay
area, there's a definite hippy vibe to their brand of hard rock, and
vocally there is a kinship with Joe Cocker that is nice to hear. There
is a pleasant lightness to this record, despite what the title might
suggest. "Hot and Cold," "Sad Song, Happy Song" and "Pains and Tears"
are my favorites on an album with a solid groove.
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