Words of the Day

"How amazing, he thought, that society usually holds itself together—cars stay in their lanes, stoplights are obeyed, the rules are almost always followed. Rarely do people act so rashly, rarely does someone make an effort to plow into school children or deliberately drop their keys down a sewage drain. Yet throughout his adult life such troubling notions unsettled and entertained him—and, inexplicably, titillated him: he had imagined veering his vehicle into other cars or swerving toward oblivious pedestrians on the sidewalk, perhaps killing himself in the process." 

              -Mitch Cullin (from Under Surface)

Weekend Music Roundup

This week took a strange course as I realized a lot of the albums I'd selected to listen to were throwbacks to earlier eras of my life. Though many are new releases, they are archival releases, which is basically the same thing as being old. Toward the end of the week, I started to infuse more "new" new releases, though they also ended up linking back to times gone by. Either it was a strange collection, one that I put the foundation together a few weeks back, so it didn't necessarily represent my mood at the time, which in a way was refreshing. I let the music guide me, and found myself receptive. All in all, a good week. Enjoy.

 Wilco - Star Wars: When one of the best bands of the past 20 years releases an album for free, it's something that people pay attention to. Far more valuable than the U2 album in my opinion, this is another very strong album in a career full of them. As with their other records, there always seems to be a few uneven tracks, but even their weaker songs are very listenable. Their sound continues to evolve from the alt-country of their beginnings, and though it has folk roots, this is simply indie rock at its finest. "More...," "Where Do I Begin," and "Magnetized" are some of the finest songs they ever recorded.

Maple Bee - Little Victories: The fourth solo album from Melanie Garside (of QueenAdreena and sister to Katie Jane Garside, one of my favorite artists of all time) is another stellar mixture of chamber pop, noise rock, avant folk, and eclectic beauty. It was a joyful surprise to see this come out this past month and it didn't disappoint. Much like her sister's Ruby Throat project, this album is mostly soft with "Row You Up River," "To All the Lost," "Almost Home" and the cover of Donovon's "Catch the Wind" being my personal favorites.

The Kinks - The Live Kinks: In the great debate between who was better "The Beatles or The Stones", the one British band that is overlooked are the lads from London, whose '60s catalog stands side-by-side with those other two giants. I picked up this '67 Live album on vinyl a few weeks back, and though it epitomizes what I dislike about live albums of the era with its poor mixing, the band still sounds great and their energy manages to come through, especially on "You Really Go Me" and the "Milk Cow Blues" melody. Way too many screaming teen girls to make this essential, but a nice pick up for fans.

Monks - Black Monk Time: Recorded in '65, this landmark proto-punk album is one of those records that all serious collectors will demand be in your collection. On such recommendations, I purchased this on CD over a decade ago, but never really got into it. Having recently pulled it out to give it another go, I find myself drawn to the Beat sensibility and hip swing of the music, but still can't connect with the oddball nature of much of the record. Highly inconsistent, this certainly shouldn't show up on any all time best lists, but it is a very important record and one of immense interest. At times it's brilliant, like on "I Hate You" and "Monk Time", at others just peculiar. I would recommend Jack Starr instead.

Sebadoh - BBC Sessions: A new compilation of BBC recordings from the seminal '90s lo-fi band proves just how unique they were, and how unlike they were from many of their contemporaries who they are often grouped with. One of the problems with the categorization of '90s music is that bands are simply thrown into the "90's Alternative" label, though they really span the spectrum of sound. Sebadoh were lo-fi noise rock at its finest, standing right beside Guided By Voices in that category for the decade. Built on Lou Barlow's Dinosaur Jr. foundation, and paving the way for his Folk Implosion path, these songs fall somewhere between the two musically. Definitely a must for fans, and also a good introduction for newbies.

The Dandy Warhols - Dandys Rule OK: In my continuing effort to go back and re-experience albums that I've owned for a long time, I gave the Dandy's '95 debut another listen, having not picked up the CD in over a decade. This album is different from their others, much more shoegaze influenced than than the psychedelic pop that would follow. There are moments where this is fantastic, and many more where it is simply average. "Ride," "Just Try," and "The Coffee and Tea Wreaks" are my personal favorite. Interesting for fans, otherwise I'd skip to their break-through follow-up album The Dandy Warhols Come Down.

Fugazi - First Demo: This archival album was released last Fall and contains the first finished recordings of the band that would go on to become one of the most influential hardcore acts of the '90s. Though recorded nearly 30 years ago, there is still an immediacy to these songs which stems from the raw energy they've always displayed. It contains a few songs that never ended up being released, making this essential for fans.

A Story Heard and Seen

My approach to writing has always been a multi-media experience. It's not uncommon to ask a writer what his or her favorite book is, or which writers have influenced them. While these are valuable questions, they will never give readers a full picture of the writer's craft, at least not for me. That's because books are not the most inspirational art form when it comes to the way I approach writing. Literature was crucial in my early development of style and structure, but so was music and images.

Whenever I start a project, part of my note taking process includes collecting images that will inspire me. It's not unusual for me to translate an image into words and insert my characters among the chaos they depict. My imagination is very visual, and for me a picture is literally worth more than a thousand words. I always aim to create a story that the reader will be able to see clearly.

Music has always been the way I set tone. When I'm working, I chose albums that generate a similar mood within me that I hope to project into the work. For me, it's important that a piece of literature cause the reader to share the same emotions that the character is feeling. The rhythm of the words, the language that is used, all this helps achieve these ends. I wouldn't be able to do this with the sounds that steer me through the pages.

Writing like any other art is one that borrows from all sources. It's not something created in a vacuum of the imagination. It everything around the artist filtered through the imagination.

Weekend Music Roundup

Back from a trip abroad, which shockingly was one that did not include music in any sort of way. The summer heat regulated my days to swimming in rivers and pools and long lunches complete with beer. I'd loaded a bunch of new music to listen to, but never got around to it, choosing to read in those spare moments instead. Now that I've been back for a few days, I've been feverishly trying to catch up and satisfy the void of song that the trip has left. The good thing is that there are now a ton of albums for me to choose from and I should be bringing some wonderful new sounds to you. Enjoy.

Samantha Crain - Under Branch & Thorn & Tree: Perhaps the album I've most been looking forward to this month is the the fourth full length from one of my favorite singer songwriters of the last half-decade. Just out last week, this is another wonderful record from the Oklahoma native with the amazing voice and gift for constructing folk songs of emotional depth. An artist that truly deserves a wider audience, I really hope this builds off the momentum of her last record and becomes a breakout release for her. "You or Mystery," "Kathleen," and "If I Had a Dollar" are among my favorites.

The Legendary Pink Dots - The Wednesday Mass: The latest in the UK psychedelic legends archival releases capturing live shows throughout their decades long history. Recorded in 2000, this album is another stellar piece of ambient psych that gives flashes into the kind of music Syd Barrett might have made in these modern times. There's also a bit of Burroughs' Interzone in the stories told. I absolutely love this band, and their range of sound that is at times Happy Mondays, at times Joy Division, at times Brian Jonestown Massacre, but always unique and unlike anything else. 

Hardy and the Hardknocks - Drownin on a Mountaintop: T. Hardy Morris (of Dead Confederate) returns with his second solo album, this time with a new backing band. Released last month, this is one of those records I was looking forward to because he never seems to disappoint. That holds true once more with this exceptional followup to his 2013 record. A mixture of lo-fi americana and some higher tempo rock, this is one of those albums that is full of great tracks. "Young Assumption" and "Likes of Me" are stand outs.

The Tallest Man on Earth - Dark Bird is Home: The Swedish Bob Dylan returns with his fourth album, released back in May. Though his early offerings felt more Zimmerman than this one, the spirit of Dylan's scratchy voice remains in these more melodic efforts which feel more in line with Langhorne Slim than Bob. This is perhaps my favorite of his and proves that he continues to mature and evolve as his career goes on. "Timothy," "Beginners," "Singers," and the title track are standouts for me.

Jenny Lysander - Northern Folk: The debut from the Swedish folk artist is a beautiful lazy day record that takes its roots in 70's folk while being very much contemporary. There is a softness to her voice that is carried over to the music, bringing to mind rolling streams, light breezes, and a distant sun that keeps everything just warm enough to enjoy. A timeless feel that reminds me of Nick Drake, especially on tracks like "This Boat." A promising beginning to a career and well worth checking out. 

Goblin Hovel - Goblin Hovel: In my continuing exploration of this fantastic and innovative folk metal band, I recently enjoyed their self-titled release from 2013. I seem to be working my way backwards through their four year catalog. Of all of their albums that I've listened to so far, this one is the most "metal" leaning musically. Though it still maintains the otherworldly fairy tale tone that makes their music so appealing to me, and my current goblin writing project. Definitely check them out on Bandcamp.

Fiction Friday (37)

Given everything that has been going on in my life these past few months, well not everything, mostly just the baby, but either way time has been in high demand and very short supply. One of the things that inevitably got lost in the shuffle was my time for reading. For years, I've reserved a little time before bed every night for that activity, but find myself often too exhausted to last more than a few pages. As things begin to grow more and more under control, I'm making more of an effort to engage in the single most important research activity for a writer. As a result, I finished reading the book I began back in April, one that I entered into with the best intentions to finish quickly because it was a story I'd been waiting for ever since I picked up The Search for WondLa a few years back. Though there's always a bit of sadness when a trilogy ends, the satisfaction almost always outweighs it. Enjoy. 

The Battle for WondLa by Tony DiTerlizzi
(Simon & Schuster 2014)

The concluding book in the Middle Grade science fiction fantasy trilogy that follows a young girl as she traverses a troubling new world in peril is a fitting conclusion to the epic story. As with the first two offerings, this is a story of trusting those who are different than you and uniting under shared values and goals, despite clashes of tradition.

Picking up right where the last book left off, the opening chapter sets the tone for the entire story as Eva finds herself in imminent danger. There are very few moments of safety in the story as the war for control of Orbona rages between the humans and the new inhabitants, a war based on mistrust and misinformation. Eva has the unique position of being free of any ties binding her to one side or the other. Having recently "emerged" from her underground home, she has stepped into the middle of this conflict without feeling particularly attached to anyone but the few close friends she has made. She doesn't side with either the humans or the aliens, siding instead with the notion of peace and togetherness. Her detachment allows her to see things as they actually are, removed from the filters that too often blind the others. It's because of this that Eva is able to discover the truth that lies hidden under the surface and eventually expose the lies that have been guiding the events on her world.

Some point towards the end of the second book, it was clear that Eva would emerge as the hero who would save her home from repeating the horrible history that once devastated it in the past. This novel shows her stepping into that role, but not without making some mistakes, and not before much damage is done. Balancing a sense of reality with the fantasy is one thing the series has always done well, and nothing ever comes too easily for Eva. It is her belief in herself and her love of family and friends that always allows her sense of right to triumph over wrong.

Weekend Music Roundup

It was a strange week with the first half being cool and dreary and the second half being bearably summery, lending itself to two drastically different musical moods within me. The albums that I chose to listen to this week reflect both ends of my spectrum, from low key mood pieces to high energy rock 'n roll. It's also a collection dominated by familiar favorites thanks to exciting new reissues, new recordings, and new additions to the collection. Hopefully there's something on here to fit your many musical moods as well. Enjoy.

Natural Snow Buildings - Night Coercion Into the Company of Witches: A four album set recorded during 2007-08, just before the release of their of epic 7+ hour Daughter of Darkness. It has a similar vibe musically, and fits in with those recordings, being heavier on the drone than some of their more accessible albums. Each album side is basically one song, all of them leading into the next song, which is typical of their releases. One of the things that I truly love about them is how they are able to tell stories in the subtle complexities of their songs. At their best, their albums feel like novels, and this is a novel I thoroughly enjoyed reading.

Death and Vanilla - To Where the Wild Things Are: This is the third album from the Swedish dream pop band and one of the finest albums of the year so far. A blend of "Pygmalion" era Slowdive neo-psychedellia with Mazzy Star inspired dreaminess, this is the kind of record that never fails to produce comforting feelings and wonderful visions. This is a perfect headphones record, or for listening in a dim room on a rainy day. Highly recommended, as I seek out their previous recordings and continue to enjoy repeated listens of this one.

The Rolling Stones - The Marquee Club Live in 1971: The Stones were at their most decadent in the early '70s with landmark rock albums like Sticky Fingers, Exile on Main Street and Goat's Head Soup and this newly released set captures them in rare form. The energy on this performance is unmatched and possibly the best live record of theirs that I've heard. Keith's guitar is perfectly dirty and Mick is simply magnetic. This is a must for fans!

Goblin Rebirth - Goblin Rebirth: The debut album from the Italian progressive metal band was released this week and I was drawn to it not only by the cover but also the title as I'm currently steeped in goblin thoughts. This is a solid instrumental album that reminds me of later day Porcupine Tree without the vocals. For some people I know that would be a plus, but I do enjoy vocals, especially on heavier albums to prevent them from sounding repetitive. Worth a spin if you're into the genre. 

Ryan Adams - Burn in the Night: Still on my Ryan Adams kick and this is his latest single. Like a lot of his releases over the past year, these two and half songs have an 80's summer vibe. It's nice to hear him having a little fun even if he seems at his best when he sounds down and out. If the title track were released in '86 it would have been a stone cold hit. It's still enjoyable now. 

Iggy Pop - Psychophonic Medicine: This box set of Iggy rarities features the early '80s, post Stooges phase when Iggy was still the wild child of the punk. These are songs that really bridge the punk movement with the New Wave movement. He lends his manic energy to more New Wave sounding tunes, making them heavier and more chaotic than anything that was radio friendly, though hearing these versions, it's clear to me that if had been poster-boy pretty, Iggy would've been bigger than Billy Idol at the time. Definitely a must for fans, a fantastic set. 

Neil Young - The Monsanto Years: Given the blunt political message of the songs on Neil's latest album, it's no wonder he's supporting Bernie for Prez. He rails against the greed and ever-expanding reach of corporate American into our political system and agriculture, particularly and repeatedly attacking Monsanto (and rightfully so). Thankfully I agree with the messages he's spouting, otherwise I'm not sure this album would be digestible. While it's great to see an artist stand up for what he believes and bring politics back to folk music, it doesn't necessarily lend itself to repeated listens. That said, every fan should listen to it at least once, we deserve Neil at least that much respect. 

The Land of You and Me

It's America's birthday once again, and like any birthday, it's time to celebrate but while celebrating, it's also time to reflect. I can't help thinking that it's an interesting time in our history. We seem to be at a crossroads with the ideals of progressive thinking splitting drastically from traditional conservative views. Nothing illustrates this more than the recent reactions to the Supreme Court ruling which propelled us out of one element of our backwardness. In the land of the equality, we can now hold our heads up knowing that our laws allow for equal protection of love. 

Of course not everybody sees it that way. There are those who want to keep the status quo. I listen to them use religion as a shield to justify bigotry and know they are the same people who decades ago used religion to justify separate but equal, who a century and a half ago used it to justify slavery. What's infuriating about this argument is that allowing gays to marry has absolutely zero affect on their religion. When I hear them talking about county clerks not issuing marriage licenses because of religious objections, I can't help but think that if your religious beliefs interfere with your government job, then you are not qualified to serve in a country that clearly lays out a separation of church and state.

While there are certain things that give me hope, there are far more that cause frustration. We are still an incarceration nation, one where kickbacks and the big prison industry are controlling sentencing and destroying people's lives. We still live in a country ruled by the richest of the rich, whose money buys endless influence among the politicians who pretend to represent us. We still live in a country where corporate profits rise and rise and rise, while wages stand still and prices of goods go up. We still live in a country that spends exponentially more on the business of war than on the business of bettering the lives of its citizens. 

This current presidential election cycle, one that really began three years ago, I feel more disillusioned with our government than I ever have in the past. I see very little difference between the parties, except for the same social wedge issues. Not that it really matters if there are few differences, because none of them seem to be talking about anything that matters...with the one exception of Bernie Sanders. His campaign of ideas gives me hope, but that hope rests on the chance that my fellow Americans will finally wake up and see how they are being manipulated. Not sure that will happen, but for the sake of my daughter's future, I hope they do.