The weekend is here! As I mentioned last week, I have a ton of albums that I need to talk about before the end of the year, but I never like to make a list of only new releases. The reason for that is simply that there is a century of great music out there and I like to discover both from the past and the present. In an effort to get sort of caught up though, the majority of this week's albums are from this year, with a few '70s gems thrown into the mix. Enjoy.
Belle and Sebastian - Days of the Bagnold Summer:
The first album in four years from the Glasgow indie pop legends,
though they did release a three-part EP about a year and half ago. This
album (a soundtrack) fits right in with their extensive catalog. They
have changed very little since their debut in the mid-90s. Perhaps their
are a little less torn by the dreams of youth and more rooted in the
realities that set in, but their music is still hopefully sad. "I Know
Where the Summer Goes," "Did the Day Go Just Like You Wanted?," and "The
Letter" are my personal favorites on this solid album that feels very
Nick Drake inspired.
Billie Eilish - When We All Fall Asleep, Where Do We Go?:
The debut full length album from the 17 year old Cali native is not
only a hit record, it's a great record. Billie has been on my radar for
quite some time, but it was only recently that I got clued in for real.
"Bad Guy" was a song that got stuck in my head, and I was blown away
with the varying elements and genres contained in that tune. The entire
album is like that, mixing trip-hop, electro pop, dance rock, chamber
pop and even R&B into an album that feels fresh and intelligent.
It feels to me like Lana del Rey meets Tricky, and that's a good place
to be.
Mountain - Avalanche:
The fifth album from the heavy psych NYC band that played at the
original Woodstock is the last from the first phase o their career,
going on a ten year hiatus afterwards which saw Leslie West release a
solo record. Released in '74, there was a three year pause between this
and the previous record, a pause that may have contributed to the band
never reaching the same stratosphere as Led Zeppelin, the band
whose sound is closest in my opinion. In many ways, this is a bit of
swan song, and as such, it's pretty damned respectable and show the
band's growth. "Sister Justice," "Swamp Boy," "I Love to See You Fly,"
and an intense cover of "Satisfaction" are standouts on this record
which I needed to complete my early Mountain catalog.
Ride - This Is Not a Safe Place:
Released at the end of summer, this is the UK band's sixth album, and
their second since reforming a few years back. A legendary shoegaze and
Britpop band of the '90s, then Alex Bell joined Oasis and Beady Eye before jump starting this project again, Ride has
always been a band that I've enjoyed thoroughly. More upbeat than
"Weather Diaries", this owes more to their jangly Britpop sound than
their shoegaze sound. "Future Love," "Fifteen Minutes," "Dial Up," and
"Shadows Behind the Sun" are standouts on a decent effort.
Slade - Slade in Flame:
Released in '74, and the height of the band's popularity, this album is
a soundtrack to the movie Flame starring the band as a fictitious rock
band. As with their other early '70s albums, this is a hard rocking glam
record with lots of killer tracks. "Far, Far Away," "This Girl," and
"Lay It Down" are the first three tracks on the second side and they are
three of the best. This is a band's whose influence is now heard more
often than the their inspiring music. Great stuff, this.
P-Lo - Shine:
This is the third album from the Cali rapper. Having released three
albums in three years, this doesn't really show signs of fatigue. This
is actually a tighter album than it felt at first listen. There are a
ton of hip hop albums coming out these days with really low production
value, being treated as completely disposable. There is clearly some
talented people behind this one, making it flow professionally. P-Lo
isn't the most dynamic rapper out there, but he has a good flow and when
he actually decides to sing a little, he actually can. A really good
Cali kind of album, bumping it in the car or in the yard.
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