Weekend Music Roundup

 The weekend is here and you all know what that means....more ramblings about music that I've been grooving to lately. This week features all new, and newish releases, from bands that are both new to me, as well as some old favorites. There's a wide range of tastes on here, from dance rock to hip-hop, to stoner metal and garage punk. You know what that means...it means there is definitely something on here that would be worth your time to check out. Enjoy.

The Kooks - Let's Go Sunshine: The first album in four years from the UK indie rock band is another solid effort. Their fifth studio album, this maintains the dance-rock sound they've worked hard to cultivate during their nearly ten years of production. Though not quite as unique or gripping as their last album was, this is still another quality record. "Kids," "Believe," "Chicken Bone," "Swing Low," and "Weight of the World" are standouts for me on this one. 

Armand Hammer - Paraffin: The third album from the Queens hip-hop duo is my first introduction to them and it's pretty amazing. It's roots are clearly in 90's NYC hardcore hip-hop, but they revolutionize that sound with dark beats, muffled vocals, and the inclusion of jazz beats used sparingly, but expertly. This is an album that shouldn't be missed. "Sweet Mickey," "Rehearse with Ornette," "Hunter," "Vindaloo," and "Bob Barker" are standouts on the best hip hop album of the year for me.  

Mac Bolan - Home Demos Volume 2: Tramp King of the City: This is part of an upcoming archival release of home recordings from the T.Rex frontman. Over the past two years, Bolan has become on of my favorite performers. Though I'd been listening to T.Rex for over 20 years, it wasn't until recently that I fully realized Bolan's genius and have been infatuated with his work ever since. These recordings are the kind that I've really been into, these scaled back demos that highlight his talent. Every song on here is fantastic, but some standouts for me are "Slider Blues," "Sunken Rags," "Telegram Sam," "Is It True What They Say," and "Take Me Down to Birmingham."

Chastity - Death Lust: The debut album from the one-man band out of Canada is a churning ocean of fuzz. Parts shoegaze, parts noise rock, and parts post-hardcore, this is a record that's hard to define but appealing in its chaos. Though it's lack of any real melody is sometimes frustrating, it didn't take away from my enjoyment so much that I wouldn't recommend it. "Scary," "Heaven Hell Anywhere Else," "Chains," and "Come" are my personal favorites. 

Motorowl - Atlas: This is the second album by the German stoner rock band and after last years surprise awesomeness of the band Motorgun, I had to take a chance on this one. The riffs on this record are pretty great and everything comes together in all the right ways. Fast and heavy, but it does seem to lack that intangible 'something' that would make me love it, but I certainly like it. "To Give," "To Take," "Infinite Logbook" and "Norma Jean" are my personal favorites. 

Supreme Chaos

Before I start to talk about what happened yesterday during the re-opened Judicial Committee hearings, I would like to remind everyone that this is all happening because the Republicans changed the Senate rules two years ago to ram through another justice by getting rid of the filibuster, which essentially required justices to have 60 yea votes to get confirmed. That rule meant that justices typically needed support from both sides in order to get their lifetime appointment. Once that rule was destroyed, we were pretty much guaranteed to get the kind of circus we've had this past week. By taking away any ground for a minority party to stand on, the result was destined to be desperate measures and obstructionism.

As for yesterday, let me start by saying the Dr. Ford was completely believable. She came off as honest, intelligent, and full of integrity. Having been a victim of sexual assault myself, at the age of 12, I know how difficult it is to tell anyone. I didn't reveal it to anybody for 16 years, and then only after I wrote a novel based on those experiences and felt compelled to tell those closet to me. It's still not something I like to talk about, and to see Dr. Ford tell her story to the world, was moving. Those who attack her for not saying anything sooner are simply clueless as to how all of this works in the life of the victim. If nothing else comes of this (which sadly it looks as though nothing else will come of this), I hope she gave others the courage to speak up.

On the other side, I found Judge Kavanaugh to be overly defensive and combative, which in my personal experience are traits of someone who is not telling the truth. He repeatedly side-stepped answering the question of whether or not he would support an FBI investigation, which, as he said over and over, would not provide conclusions, but would allow trained investigators to follow-up on the sworn statements provided by other witnesses. As a judge, I was surprised that he would take a sworn statement at face value, and I strongly doubt he would feel same in his own courtroom. Guess what, Judge, people lie in sworn statements.

Now I agree with those who are saying the actions of someone at the age of 16, 17, or 18 shouldn't define a person's entire life. We've all done things as teenagers that we probably are not proud of. However, in order for others to accept that, the first step is admitting to those things, apologizing for those actions, and only then is forgiveness an option. After yesterday, I'm left believing what Dr. Ford alleges happened actually happened. And had Judge Kavanaugh admitted that it may have happened (even if he didn't recall because of drinking, which he also seems to want to downplay), the conversation would be different. But if you're lying, you are essentially calling her a liar and thereby assaulting her all over again. I believe that a person can change and that he very well could be a different person today, but the act of lying about it tells me that you are not a different man today and that you still don't believe it was wrong, or if it was wrong, somehow you are entitled to those actions and that the experiences of the victims don't count.

I will also say that I think it's shameful the way both parties are politicizing sexual assault for their own gain, either by attacking accusers or by using them as tools. It's not that I don't believe the Democrats are sincere, I think they are. However, the whole way this unfolded showed that they were playing politics with the life of a real person, and that is not right either. But again, I blame the change in the rules for forcing them into that position. The rest of us are left with a government so divided and so mean spirited, that it will do nothing for the American people, only for the base of one party or the other.

Weekend Music Roundup

Welcome the first Roundup of the Fall! The weather is true to the calendar this weekend, gifting us with perfect early autumn weather, my favorite weather for listening to music. This week I take a look at some new releases that I'm excited about, as well as an old favorite. There's a mix of music on here, and a few lesser known artists. Hopefully you'll have some time to find something new to check out. Enjoy.

Emma Ruth Rundle - On Dark Horses: This is the L.A. based singer songwriter's follow-up to 2016's fantastic "Marked For Death," one of my favorite albums from that year. This record channels the same gloomy vibe as the previous, with incredibly crafted songs of sadness. Verging almost on Dark Wave, this is a bleak folk record that is nearly perfect for grey days. "Control," "Dead Set Eyes," and "Light Song" are my favorites on this stellar album. 

Murder By Death - The Other Shore: This is the ninth album from the gothic country outfit out of Indiana, and their first in three years. I've been a fan of this band for fifteen years, since their second album from 20003. Over the past several years, they sort of fell into a lull, but I'm happy to say this album sees them coming out of that, with this strongest effort in ten years. "True Dark," "Stone," "I Have Arrived," and "Last Night on Earth" are my personal favorites. 

John Lennon - The John Lennon Collection: Released two years after his death, this was meant to be a greatest collection of Lennon's solo work, though I would argue a bit with the track listing (nothing from Plastic Ono Band? really?). Despite that, this is a wonderful collection of Lennon's second life after the disbanding of that outfit he got his start with. Usually, I avoid collections like this, but this album was given to me by a friend, and it's a welcome addition my Lennon collection, though it should never be a sole stand-in for his work. 

Older Sun - Older Sun: The debut album from the San Fran heavy rock band is heavily inspired by early 70's and late 60's heavy psych. Being that I love that genre, I was naturally looking forward to hearing this record. It's pretty standard hard blues rock with minimal psych elements. My biggest problem with this record was that the singer doesn't really have the chops to deliver the soulful vocals that the album is going for. It's not that he can't sing, it's just that it felt a little flat for the power of the music. "Sometimes" was my favorite track where I think the sound all came together the best.

The Internet - Hive Mind: This is the fourth album from the L.A. neo-soul outfit, but my first encounter with them. This is one of those genre mash-up kind of albums that reminds me of efforts in the '90s to mix soul, R&B, and hip hop. This feels like a cross between trip-hop bands like Morcheeba crossed with Brand New Heavies. This is a great groove record that keeps the vibe going throughout. "Come Together," "Stay the Night," and "Look What U Started" are my personal favorites on this album that is totally L.A. all the way.  

Fiction Friday (73)

Now that grad school has officially ended for me, I've had a little more time to read books of my own choosing, and considerably less scholarly journal articles. I've actually read another book before the one below, but haven't had the right frame of mind to give it a proper review (which will come soon). This is a book I've been wanting to read for a long time, but an author that I really admire and who was a big influence on the modern novelists that emerged in Paris during the first half of the last century. This is probably more accessible than some of his other works, so if you're looking to explore his writing, this is not a bad place to start. Enjoy.

Gold by Blaise Cendrars
(Marlowe & Company, 1960)

Gold is a deceptively thin first novel by the pioneering, and widely forgotten but influential Swiss/French author. Though it's not long in length, it surely covers a lot of area in its depth. In many ways, it follows the the early 20th century trope of a rags to riches story, but in typical Cendrars fashion, it turns that trope on its head.

This is one of the earliest attempts at Historical Fiction that I'm aware of, as it takes the life of the real John Augustus Sutter, a pioneer in California and the discoverer of gold that led to the famed Gold Rush of '49. Cendrars portrays Sutter's life as more tragic than it actually was as a way to strengthen the themes of the novel centered around fate, justice, and the futility of fighting against the first or for the latter. 

Sutter had come to America as a penniless immigrant, and eventually makes his way to the violatile land of California where he establishes several successful enterprises on a huge swath of land granted to him by the Mexican government (then controllers of California). By the time California is part of the U.S., Sutter is on the verge of becoming the richest man in the world...and then gold is discovered on his vast properties. When the discovery leaks to the rest of the world, it spells the ruin for Sutter, who watches all he built quickly taken over by the flood of people coming to search for gold and build towns and cities on land that was rightfully his. 

Fully engrossing and surprisingly moving.

Weekend Music Roundup

Welcome to the weekly ramblings of music that I've been listening to of late. This week features a couple of new releases that I'm really excited about. There's also some recent discoveries and old favorites. The first album on the list is awesome, and I was lucky enough to see them play this week. They played most of my favorites off this album and it was a great show that was sadly sparsely attended. As much as I love recorded music, it's important to remind everyone to support live music when you can. Hopefully there's something here for you to discover. Enjoy.

Mystic Braves - The Great Unknown: The L.A. psychedelic garage rock band's fourth album is another brilliant addition to their incredible catalog. Sure, it's steeped in '60s revival sounds and fits the somewhat expected L.A. psych sound, but I love both those aspects about them. This is one of those bands that would have fit wonderfully with the left coast members of the Elephant 6 collective back in the late '90s and early 00's. So many great songs on here, but some of my favorites are "Under Control," "Are You Gonna Be There," "Point of View," and "What Went Wrong." 

Shudder to Think - Ten Spot: Released in 1990, this was the second album from the influential Dischord band, though their first official release. I've had this on CD since High School, as part of the compilation with "At the Movies," but just picked up the recently reissued vinyl. This is a band that has never sounded like any other band and this early album showcases just how original they were, breaking out of the post-hardcore scene with a psychedelic sound. I never fully appreciated it before, partially because I think the comp of those two albums is just too much to digest. Listening to it here, I truly hear the genius. "Jade Dust Eyes," "Rag," "About Three Dreams," "Speak," and "Rain" are standouts.  

Interpol - Marauder: This is the NYC post punk band's first album in four years. My history with this band goes back to the early days before they were signed when I used to know Paul a little bit from work and mutual friends. Though I love their debut, most of their other releases felt to be lacking something for me. Not this one though. This is their finest album since their first. This is a record that doesn't pretend to be more than it is, a quality collection of fuzzy, shoegazer rock music. "The Rover," "If You Really Love Nothing," "Complications," "Mountain Child," and "Surveillance" are standouts for me. 

Bonzo Dog Doo/Dah Band - Gorilla: I recently picked up a nice copy of this 1967 debut from psychedelic London band. It's not my first encounter with the band, but this is the album I'd been looking for since my college days when I was first introduced to their existence through my love of early Floyd and Hawkwind. This shares some affinities with Syd Barrett, though far more vaudevillian. Unsurprisingly, an odd ball outfit like this fell apart a few short years after this record, but did put out three more albums, and one contractual obligation album (which I also have, but it lacks the joy of this one). "The Equestrian Statue," "Jollity Farm," and "Piggy Bank Love" are standouts. 

Guns N' Roses - Mystic Studio Demo (1985): This five track demo was included as an Easter Egg in the recent Locked and Loaded edition of Appetite for Destruction, and despite numerous bootlegs in my collection, this is one that has evaded most boots and therefore was exciting to hear. One of the earliest studio recordings by the band, this offers some of the earliest versions of these songs. It surfaced online a few months ago and was quickly removed. This is definitely the kind of thing that only superfans will be geeked about. Guess what? I'm geeked about it.

One Week in a Life

There are certain weeks in the timeline of life that for one reason or another hold special significance. This is one of those weeks in my timeline. There are a lot of memories attached to this week, and memories create new thoughts as old moments are relived. The week began with memories of 9/11, which felt very far away on Tuesday. But when I watched some recently released audio on Wednesday, the paralyzing horror that I felt that day in NYC came back, but so did the sense of community that flowed through NYC in the weeks afterward. 

At the end of this week, it will six years ago that my dad passed away. I was fortunate enough to be with him and two of my brothers for three days in Houston just before he died. As with 9/11, it's a weekend that increasingly feels far away. The funny thing about time is that so much life happens as it passes, that the accumulation overshadows all that came before.

My daughter is a big part of that accumulation of newness. Yesterday, she wrote her name for the first time. I'm not sure why that is a moment that felt so important to me, but it did. Perhaps because it's one more step toward literacy and the world of stories and learning that such a skill will open for her. 

Yesterday also marked the 20th anniversary of my first date with the girl who would go on to become my wife, my best friend, the mother of my child, and the love of my life. In that course of time, all of the changes that it has brought, she has always been my constant. Though our lives have changed very much, they've always been changing together and I'm so grateful for her.

To celebrate, last night we went to see one my favorite bands of the past few years, The Mystic Braves. They came from L.A. to play in our small city. We were two of very few people to attend, but it was a wonderful night. We were able to walk to the show, enjoy dinner, and "hang out" for several hours the way we used to do before we became the parents of an intelligent, and sometimes demanding, little girl. 

For whatever reason, most likely something to do with the zodiac, the second week of September is one in which the universe has zeroed in on me and chosen to focus its attention. As I grow older, I've come to see all events, both good and bad, as part of the magic of life and try to appreciate the journey...whatever may be, may be.

Weekend Music Roundup

The weekend has arrived, and right on schedule, the heat has broken and the weather is Fall-ish (at least today). In celebration, this weekend's choices reflect more of a fall vibe that stretches across many genres. There's some new releases on here that I'd been looking forward to. Some surprised, some slightly disappointed, but all in all, there's a lot of good vibes on here. Hopefully you'll find something to check out. Enjoy.

Lucero - Among the Ghosts: The eleventh studio album from the alt country band is their first in three years and may be one of their best. As always, Ben Nichols' voice elicits so much emotion in every syllable that it is hard to be transported into the heartache it describes. As they mature, they move closer into the Outlaw country vibe, and it suits them well. "Always Been You," "Cover Me," and "Long Way Back Home" are my personal favorites on a really good record. 

Lucifer - Lucifer II: This is the second album from the Berlin heavy rock band. I was terribly excited to give this a listen, I mean the name is great and they just look like some cats who can play some bitchin' heavy rock. I'd hoped it would be more heavy psych than it is, but as a blues based heavy rock, it's quite good. I also enjoy female vocals in that genre. All in all, I had high expectations which may have contributed to my overall sense that this is a good album, but not great. Worth checking out if you into the genre, I promise you won't hate it. "Reaper on Your Heels," "Faux Pharaoh" and the cover of "Dancing with Mr. D" are my favorites. 

Kyo Itachi and Realio Sparkzwell - Akira: I knew nothing about either of the guys involved in this collaborative album before listening to it, but a hip-hop album centered around one of my favorite movies of all time seemed like a can't miss. The beats and DJ work on this record are amazing, right up there with the eerie sound of Blue Sky Black Death. The rapping on it is quite good, though there are a few weaker tracks, as there are on most hip hop albums. Clips of the movie are woven into the beginnings of each song, are done perfectly. "Frankie Beverly," "Scandalous," "Diamonds on the Table," "Enemy of the State," and "Nothing Can Save You" are my personal favorites. 

Sweet - Desolation Boulovard: This 1974 album is the British glam band's fifth, and like a lot of albums in the past, the UK and US versions had different track listings. This review is the American version. This is the sound of Bowie's glam becoming metal. There are some riffs on here that would be copied by metal acts for years to come. I love coming across one of these albums that when you hear it, can hear the influence it had on so many records I know and love. "No You Don't," "The 6-Teens," "I Want to Be Committed," and "Solid Gold Brass" are killer tracks. 

Here Lies Man - You Will Know Nothing: The second album from the L.A. based acid rock band was released last month. It is a combination of several genres, ranging from stoner rock, afrobeat, and noise rock. This is an album dictated by heavy grooves, much like King Gizzard and The Lizard Wizard. This is one of those albums that does what it sets out to do very well. Nothing essential or groundbreaking, but nicely executed. "Animal Noises," "Memory Games," and "Blindness" are my personal favorites. 

Americrisis

Today's stunning Op-Ed in the New York Times is troubling for so many reasons. First and foremost, it supports the claim that the sane majority has believed for two years, that we have a president completely unqualified and unable to perform the job. On a daily basis, we see an executive branch that continues to tear away at the foundations of our democracy and puts the person of the president before the good of the nation. 

But the article is troubling on another level, and that pertains to the potential of such an inside obstructionist agenda within the White House. This person is NOT helping, as he or she suggests. If he or she truly feel this way, then resign and speak out and speak loudly. Whether we like it or not, Donald Trump was elected president, not this unidentified person. The actions detailed in this Op-Ed are the kind that allow Trump to fuel his dictator rhetoric of a Deep State working against him and can be used as an excuse that the entirety of the government is corrupt and thwarting the will of the people and thereby gives him not other choice but to seize more power. This is how democracies become dictatorships. 

Weekend Music Roundup

Welcome to the long holiday weekend! This week I'm rounding up some new releases that I've recently got around to listening to, as well as some reissues and discoveries. I've been spending a lot of time recently listening to some of my vast CD collection that has been neglected of late, spinning some old gems that I'd forgotten about to some extent. I'm not going to bore you with reviews of old albums here, but needless to say, it pays to go back now and then to discover the things you've loved from the past. Enjoy.

Low - Double Negative: The first album in three years from the legendary slowcore band is more drone than some of their recent efforts. The bass is soooo heavy on this that levels need to be adjusted to prevent it from sounding like muddle. This weight, mixed with the fragile dream like beauty that they are known for, has a great effect. As usual, this is an album meant to be taken as a whole, but that said, a few standout tracks for me are "Fly," "Always Up," "Always Trying to Work It Out," and "Dancing and Fire."

The Mind Garage - The Mind Garage: The 1969 debut from the West Virginian psychedelic band is a great example of the genre from that time. It has the same feel as bands from the San Fran area of the time. With an ethereal garage quality to these tracks, it's sure to appeal to fans of other lesser known psychedelic bands from the late '60s and early '70s. It's one of those albums that serves as a soundtrack for lazy sunny days.

Oh Sees - Smote Reverser: The newest offering from the prolific San Fran psychedelic garage band (Thee Oh Sees) is one of their wilder ones, which is saying a lot. This is a bit heavier than their typical albums, which is nice to hear. It reminds me of a more garage rock version of Tame Impala. I prefer the more structure songs than the longer ramblings, but this is definitely one of their more complete works to date. "Enrique El Cobrador," "C," "Sentient Oona," and "Moon bag" are my personal favorites.  

The Remains - Live 1969: The Boston garage rock band released one album in 1966 and it is considered one of the nuggets of the psychedelic garage rock genre. This live album was just released and features many of the song from their album as well as a slew of cover songs, as was the tradition back then. The band is tight and full of energy on this almost proto-punk record featuring great covers of "All Day and All of the Night," "Like a Rolling Stone," and "La Bamba/Empty Heart" medley. The original "Why Do I Cry" is a true gem. Good stuff, this.

Mazzy Star - Still EP: The first release in four years from the L.A. based dream pop legends includes three new songs and reworking of a classic tune from their '93 album, So Tonight That I Might See. The band has never had a big range, focusing instead on what they do best, which is to create dreamscapes that are haunting and soothing at the same time. This completely felt like outtakes from their heyday, which definitely appeals to me. It doesn't explore any new territory, but fans in search of more material will be happy.